My Netflix queue is messed up. Either I have terrible (read: eccentric) taste in movies or the Netflix movie picking algorithm is screwed up, because I get a suggested lot of two star (didn’t like) movies that I actually really liked, and a lot of four star (really liked) movies that I didn’t like at all. Perhaps it’s all the rom-coms and late night comedies that I end up watching, as opposed to the ones from the Criterion Collection?
One of those didn’t like movies that I actually really liked showed up on my queue the other day, The Hollywood Knights.
The Hollywood Knights came up in my Netflix queue under “Like: Just One of the Guys“. I don’t actually remember watching Just One of the Guys, though Netflix tells me that I did - probably one of those movies that I fell asleep watching. The Hollywood Knights, on the other hand, I actually stayed awake for. Released in 1980, it’s obviously a riff on American Graffiti (released in 1973) though where American Graffiti is insightful, endearing, and has a lot of soul, Hollywood Knights is juvenile, raunchy, stupid, and playful.
To reference a more recent film, it’s more American Pie than American Graffiti. Not that its bad – though I really like a lot of bad movies, like Coneheads, or Blues Brothers 2000 – it’s just too derivative and obvious. Set in the mid ’60s, it tries to be somewhat serious with the background of the Vietnam war and the camaraderie of a car club, but the ridiculous elements overwhelm an otherwise noble premise.
In the end though, despite its flaws it’s ultimately a very genuine feeling movie and does have a lot of charm, even if it’s completely unbelieveable and random in spots. And if you thought Michelle Pfeiffer was hot as the cold trophy wife in Scarface, she’s smoking hot as the pink budding ingenue in The Hollywood Knights. Oh, and Fran Drescher is in it as well, if you like that voice…
One thing that The Hollywood Knights does have going for it is a terrific soundtrack – from Frankie Valli to The Supremes to The Beach Boys, the classics from the ’60s are covered, and more. Even though I was born in the ’70s, grew up in the ’80s, and came of age in the ’90s, musically I am stuck in the ’60s – that decade is my favorite in music by far. I could easily go to a desert island and listen to nothing but live Grateful Dead shows from 1969 for the rest of my life and die a happy man. One song in the movie that never fails to give me the chills is California Dreamin’ by The Mamas and the Papas. It makes an appearance during the scene where Gary Graham (Sikes from Alien Nation) is presented a car from the club. Tony Danza pops in an 8-track, and the magic happens… chills.
I don’t know why, but from the plaintive acoustic intro, to the deceptively simple lyrics, perfect harmonies and that reedy flute solo (which could almost be a recorder), the song always gives me chills and evokes strong memories and feelings. Not to mention an impossibly young (and ridiculously hot) Michelle Philips singing. Yes, you can call me a mysoginist pig if you like but you know I’m right.
Here’s a clip for your listening pleasure.
And the original 45rpm single:
The soundtrack itself is long out of print, according to discogs.com it was only released on vinyl way back when the movie first came out. With only twelve songs, it doesn’t even have California Dreamin’ on it, so don’t go digging around for it! With IMDB.com’s help I snagged all the songs from the movie, except for the title track.
If you want to watch the whole movie – it’s on Youtube! Enjoy!






















